內灣戲院人文客家菜館

民國三十九年，內灣戲院在主人楊盛泉的籌劃下，落成使用。當時，也正是內灣線鐵路通車的年代，楊主人一方面經營山場，一方面從事製造，十分懂得從事山林粗重勞動的工人們的休閒需要，才在民國四○年以僅有１５９６人小村落的內灣營造了名聞遐邇的內灣戲院。
相較於如今文化普及的現代社會，這樣的文化設施仍是相當高密度的。然而，內灣戲院的觀眾，還不在於那一千多內灣在地人，而是成千上萬在山林礦場從事粗重勞動的工人。如今，曲終人散的林產礦業，不但內灣戲院失去觀眾，也使內灣回歸純樸與寧靜。
內灣戲院為竹東泥水師傅范進發所建，大跨距的屋架採用日式組合方式，經過四十餘年後，除了局部滲漏之外，還保持著相當完整的原初風貌，其中二樓木造閣樓是非常迷人的時代建築形式。此外，為了因應多用途的使用狀況，戲院的舞台也設計得時別的深，後來一度十分吸引外地人的「歌舞表演」，正因此而名噪一時。 In thirty-nine the inner bay cinemas master Yangsheng Quan planning, ready for use. At that time, it is also within the Bay line railway era, Yang master on the one hand operating the mountain farm, on the one hand, engaged in the manufacture, clear understanding of how the leisure needs of the workers engaged in the mountains of menial labor, was ○ only 1596 the Bay of villages to create a theater of the fame of the inner bay.
  Compared to today 's popular culture in modern society, this cultural facilities is still a very high density. The inner bay cinema audience, however, does not lie within the Bay, which over a thousand people in the workers engaged in menial labor, but tens of thousands of mines in the mountains. Today, Forest Products Mining come to an end, not only within the Bay Theater lose the audience, but also the inner bay to return to simplicity and quiet.
  Within the Bay Theatre built by for Bamboo East Slurry master Fan embarked on large span roof trusses Japanese combination, after more than forty years, in addition to the localized seepage maintained a fairly complete original style, of which the second is wood The attic is very charming period architectural forms. In addition, in order to response to the multi-purpose use, the theater stage design was another deep outsiders "cabaret" were once very attractive, positive and reputable.