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Owing to Brazil’s continental dimensions, varied geography, history and people, the country’s culture is rich and diverse. It has several regional variations, and in spite of being mostly unified by a single language, some regions are so different from each other that they look like different countries altogether.
Music plays an important part in Brazilian identity. Styles like choro, samba and bossa nova are considered genuinely Brazilian. Caipira music is also in the roots of sertanejo, the national equivalent to country music. MPB stands for Brazilian Popular Music, which mixes several national styles under a single concept. Forró, a north-eastern happy dancing music style, has also become common nationwide. New urban styles include funk - name given to a dance music genre from Rio's favelas that mixes heavy electronic beats and often raunchy rapping - and techno-brega, a crowd-pleaser in northern states, that fuses romantic pop, dance music and caribbean rhythms. Brazilian funk is the most popular type of music they listen to. It has a constant and repeated beat that is always the same, it never changes. They keep the beat, and sing songs to it. There are more than 1000 songs that are funk. You might thing that people get tired of the same beat, but no. It is so impressive that there are so many songs that it never gets old. Funk could be considered tradition because of its strength in rhythm, and bringing people together.
A mixture of martial arts, dance, music and game, capoeira was created by African slaves brought to Brazil, mainly from Portuguese Angola. Distinguished by vivacious complicated movements and accompanying music, it can be seen and practiced in many Brazilian cities.
In the classical music, the Modern Period is particularly notable, due to the works of composers like Heitor Villa-Lobos and Camargo Guarnieri, who created a typical Brazilian school, mixing elements of the traditional European classical music to the Brazilian rhythms, while other composers like Cláudio Santoro followed the guidelines of the Second School of Vienna. In the Romantic Period, the greatest name was Antonio Carlos Gomes, author of some Italian-styled operas with typical Brazilian themes, like Il Guarany and Lo Schiavo. In the Classical Period, the most prominent name is José Maurício Nunes Garcia, a priest who wrote both sacred and secular music and was very influenced by the Viennese classical style of the 18th and early 19th century.