Natrinai (Ettuthogai)

Natrinai (Tamil: நற்றிணை), a classical Tamil poetic work, is a book of Ettuthokai, a Sangam literature anthology. Natrinai contains 400 poems dealing with the five landscapes of Sangam poetry – kurinchi, mullai, marutham, neithal and paalai. This belongs to some of the oldest extant Tamil literature and is dated to belong to the Sangam age (100 BCE - 200 CE). The stanzas are of varying lengths of between nine and twelve lines each. The Pandya king Maaran Vazhuthi patronised this collection. It is not known who made this collection.

Compilation:
It was compiled by Pāratam-pāṭiyap-Peruntēvanar under the patronage of Pandya king, King Māran Vazhuthi. Peruntēvanar also wrote an invocatory stanza after its compilation.

Authors of 56 poems are not known. The names of 192 authors are known. Poem 234 is missing and considered extinct. Part of the 385th poem is also missing from all available manuscript copies.

The original manuscript did not classify the poems into the various thinais (landscapes). They were introduced later in the nineteenth century when this book was first printed. Natrinai (Tamil: narrinai), a classical Tamil poetic work, is a book of Ettuthokai, a Sangam literature anthology. Natrinai contains 400 poems dealing with the five landscapes of Sangam poetry - kurinchi, mullai, marutham, neithal and paalai. This belongs to some of the oldest extant Tamil literature and is dated to belong to the Sangam age (100 BCE - 200 CE). The stanzas are between nine and twelve lines of each of varying lengths. Maaran Vazhuthi this collection patronised The Pandya king. It is not known who made this collection.

Compilation:
It was compiled by Pāratam-pāṭiyap-Peruntēvanar under the patronage of Pandya king, King Māran Vazhuthi. Peruntevanar also wrote its compilation after an invocatory stanza.

Authors of 56 poems are not known. The names of 192 authors are known. Poem 234 is missing and considered extinct. Part of the poem is also missing from 385th manuscript copies all available.

The original manuscript did not classify the poems into the various thinais (landscapes). They were later introduced in the nineteenth century when this book was first printed.