popular music radios

Free popular music radios.
 Are you a lover of popular music and Latin music?
Do you want to free yourself from heartbreak and boredom?
Spend some time out of series with the best stations that our app offers you.
In our app you will find stations like:
-radio Uno
Gazebo radio
I dislike you
-mp3 pa`chupadores
-radio Amar
African music
- folk music
Music ranchera
And many more stations!
The popular genre is composed of songs of simple musical structure and rhythm, such as waltz, corrido, song or bolero, easily assimilated by the peasant and popular classes of Latin America. But the fundamental thing of these songs is the letter, that is based on the concept "despecho", that can be synonymous of anguish or despair.
In Colombia, particularly in Antioquia, this style has penetrated as an adopted autochthonous expression and has given rise to great exponents of it.
It includes rhythms such as rancheras, corridos and huapangos coming from Mexico; Corridors and waltzes of ecuador; And zambas, tangos, corridors and waltzes of argentina. That is, a set of southern and northern rhythms but made by peasants from Antioquia with their own style.
In contrast to traditional or folk music, popular music does not identify with specific nations or ethnic groups but has an international character. Among the most representative genres of popular music of our time can be highlighted pop, rock, hip hop and electronic music, among others.
Other denominations that sometimes receive the popular music are "light music" or "pop music", although they are not very suitable to have already and other more restrictive meanings. On the other hand, "popular music" has historically been used to refer to what we now know as folk or traditional music, a use that still survives in some contexts. To avoid confusion with the latter, the expression "modern popular music" or "modern music" is sometimes used.
"Popular music, unlike cultured music, is conceived to be massively distributed, and often to large, culturally heterogeneous groups. It is distributed and stored in an unwritten way. It becomes a commodity and, in capitalist societies, subject to the laws of the free market, according to which ideally it must sell as much as possible, as little as possible, at the highest possible price. "
For Christopher Mardorf, a common approach to defining popular music is to link its popularity with the scale of activity, such as the sale of scores or recordings. This approach has a problem, since repeated auditions are not counted, the depth of the response is not verified, socially diverse audiences are treated as a joint market and there is no differentiation between musical styles. Another way of defining popular music is to link its popularity with the corresponding media. However, this is problematic, since all types of music, from folk to the most avant-garde, are subject to mass mediation. A third approach to defining popular music is based on a social group, be it a mass audience or a particular social class (most often, though not always the working class), an approach that is problematic because social structures do not Can be simply superimposed on musical styles.
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