Djalouz Art

Djalouz Art

Parallèlement à l'obtention de son diplôme de dessinateur maquettiste, il commence le graffiti en 2003, inspiré directement par la jeune scène montante du graffiti hexagonal et européen (Marko 93, Dire132, Daim, Vesod, Dran, Gris One, Inti, Vhils, No art ...) mais aussi par le monde de la bande dessinée (Enki Bilal, Frank Miller...).

La bombe de peinture est son outil de prédilection car il est le médium idéal pour la peinture en grand format et surtout lui laisse une grande liberté quant au choix des supports.

Les lieux abandonnés, usés par le temps, les friches et usines laissées aux mains de la nature lui ouvrent de nouvelles perspectives. En 2009, il met de côté son travail figuratif pour développer un travail plus abstrait, par le biais de formes en volume circulant et se matérialisant dans des lieux incongrus. Dès lors, il s'efforce de sortir le graffiti de ses conventions en le faisant évoluer sur le sol, les plafonds…

Dans la rue, en friche, sur toile ou dans une installation, la forme de son travail prend sens avec les éléments qui l'entourent. Ensemble, ils créent une mélodie qui s'inspire de la mélancolie du lieu où l'on se trouve.

La photographie joue un rôle important dans la transcription de ces émotions, laissant une trace de ces oeuvres vouées à disparaître, elles aussi.

La rue est son aire de jeux. Il y trouve différentes surfaces qui lui permettent de matérialiser son œuvre.

Avec la toile, il plonge dans le châssis, lui transmets une âme, inspirée de ces mêmes murs de friches marqués par le temps.

Jamais réellement achevé, son champ d'expérimentation n'a pas de limites. Car même s'il n'y a plus ni toiles ni murs, reste la voie ouverte de son imagination.


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Djalouz Art

Born in 1985 and raised in Paris, Djalouz is a French mixed media artist and street activist. In 2003, he graduated in design and became involved in graffiti.
He was directly inspired by the young French and European rising scene (Marko 93, Dire132, Daim, Vesod, Dran, Gris One, Inti, Vhils, No art...) and also by comic strip universe (Enki Bilal, Frank Miller).

Spray can has always been Djalouz’s favourite instrument, its ideal for large format paintings and can be applied on multiple surfaces.

Abandoned industrial sites, wastelands and other places worn out by time allow him to open new universes’. In 2009 Djalouz puts aside his figurative work and develops an abstractive one through shapes and volume performing into incongruous places.

From then on, Djalouz has never stopped to take graffiti out of its own conventions by painting from the ground to the ceiling… and wherever!
Through streets and industrial wastelands as well as on the canvas or artwork, Djalouz’s work takes sense from elements surrounding it. They create a melody inspired by the melancholy of the place.

Photography has also an important role in emotional transcription by leaving a trace of these works that due to their very nature are bound to disappear. Manufactured landscapes are by far his favourite playground.

With canvas painting, Djalouz buries himself into the frame and confers a soul to it.
A soul inspired by these disused places scarred by time. His continuous evolution is ongoing and his experimentation has no limit. Beyond the canvas and walls, the gate of his imagination is deep and wide. Djalouz Art

Along with the graduation of designer designer, he started graffiti in 2003, inspired by the young rising scene hexagonal and European graffiti (Marko 93 Dire132, Suede, Vesod, Dran, Gris One, Inti, Vhils, No art ...) but also the world of comics (Enki Bilal, Frank Miller ...).

The spray paint is the tool of choice because it is the ideal medium for painting in large format and especially let him great freedom in the choice of media.

Abandoned places, worn by time, wastelands and plants left in the hands of nature opens up new perspectives. In 2009, he put aside his figurative work to develop a more abstract work, through forms circulating volume and materializing in incongruous places. Therefore, it tries to remove the graffiti its conventions by developing it on the floor, ceiling ...

In the street, fallow, on canvas or in a facility, the form of his work makes sense with the surrounding elements. Together they create a melody inspired by the melancholy of the place where you are.

Photography plays an important role in the transcription of these emotions, leaving a trail of these works are destined to disappear, too.

The street is their playground. There are various areas that allow him to materialize his work.

With canvas, he plunges into the chassis, it convey a soul inspired by these walls wasteland marked by time.

Never actually completed his experimental field has no limits. Because even if there is neither paintings nor walls, remains open way of his imagination.


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Djalouz Art

Born in 1985 and raised in Paris, French Djalouz is a mixed media artist and activist street. In 2003, he graduated in design and Became Involved in graffiti.
He was Directly inspired by the rising young French and European scene (Marko 93 Dire132, Suede, Vesod, Dran, Gris One, Inti, Vhils, no art ...) and aussi by comic strip universe (Enki Bilal, Frank Miller) .

Spray can has always beens Djalouz's favorite instrument, icts ideal for wide format paintings and can be Applied on multiple surfaces.

Abandoned industrial sites wastelands and other places worn out by time allow him to open new universes'. In 2009 Djalouz puts aside His figurative work and Develops an abstractive one through shapes and volume into performing incongruous places.

From then on, Djalouz HAS never stopped to take graffiti out of icts own conventions by painting from the ground to the ceiling ... and Wherever!
Through streets and industrial wastelands as well as on the canvas or artwork, Djalouz's work takes sense from Elements surrounding it. They create a melody inspired by the melancholy of the place.

HAS aussi year photography major role in emotional transcription by leaving a trail of thesis works That due to Their Very kind are bound to disappear. Manufactured landscapes are by far His favorite playground.

With canvas painting, Djalouz Buries himself into the frame and Confers a soul to it.
A soul inspired by thesis disused places scarred by time. His continuous evolution is Ongoing and his experimentation Has No limit. Beyond the canvas and walls, the Gate Time of the Old imagination is deep and wide.